Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Bernardo Bellotto
Das Dorf Gazzada, Blick von Sud-Ost auf die Villa Melzi d'Eril

ID: 90840

Bernardo Bellotto Das Dorf Gazzada, Blick von Sud-Ost auf die Villa Melzi d'Eril
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Bernardo Bellotto Das Dorf Gazzada, Blick von Sud-Ost auf die Villa Melzi d'Eril


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | View of the Villa Cagnola at Gazzada near Varese | Pirna Seen from the Right Bank of the Elbe | Capriccio with the Colosseum | Kaunitz Palace and Park in Vienne | Pulkownik Piotr Konigsfels udziela lekcji jazdy konnej ksieciu Jozefowi Poniatowskiemu. |
Related Artists:
Eugene Bidau
French 19th Century
GOZZOLI, Benozzo
Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes
Mancini, Antonio
Italian Academic Painter, 1852-1930 Italian painter. He entered the Istituto di Belle Arti, Naples, at the age of 12; while still an adolescent he produced accomplished works such as Head of a Young Girl (1867; Naples, Capodimonte). On his graduation in 1873, Mancini, together with Francesco Paolo Michetti and Vincenzo Gemito, was at the forefront of VERISMO in Neapolitan art. Sharing a studio with Gemito, he painted the street boys, musicians and dancers of Naples, creating an anti-academic, popular art. His patron, Albert, Count Cahen of Antwerp (1846-1903), encouraged him to visit Paris in 1875, where he met Manet and Degas. After a second visit in 1877






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